spectre-130 My 1st camera was kinda like this. 😊📷
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I had the same thing :) Canonet G-III QL17. It wasn’t my first camera though. My first camera was a horrible Kodak disk. After that it was the Canon AE-1program. From there I had a hand me down Canon F-1 and at school I used the nikon F3. My last film camera was a Canon A2E.
Photographer Creates Alien Planets With One Egg
Photographer and film director Vins Blake’s latest photography series “The Planets” combines science with the artistic execution of the human imagination. With his knowledge of chemistry, electronic engineering and photography skills, he has created a set of dramatic and vibrant alien worlds.
Selected photography from Nikon Small World Photomicrography Competition 2015. (Top to bottom; long-jawed spider, clamp shrimp, ostrich fern, suction cups of diving beetle, water lily leaf bud, rove beetle, antenna of a male moth, jewel beetle). Via.
💙 A Storm Is Brewing by Mike Dawson on 500px
○ NIKON D5200-f/11-1/40s-11mm-iso100, 4000✱6000px-rating:96.0
☀ "The remains of a tornado producing storm ..“
Photographer: Mike Dawson, Springfield, United States
I’m on the road to nowhere
💙 Passion for purple by Andrea Everhard on 500px
○ NIKON D7000-f/4.5-1/40s-90mm-iso100, 3264✱4928px-rating:86.0
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💙 Serenity by Ludovic LEHMANN on 500px
○ NIKON D5100-f/16-2s-18mm-iso100, 1271✱1920px-rating:98.3
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💙 Moon reflection by Jamie Richey on 500px
○ NIKON D810-f/14-2s-48mm-iso100, 4819✱7220px-rating:97.3
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Photographer Makes Cut Outs of Animal Silhouettes on a White Sheet of Paper with Beautiful Natural Backdrops
Russian artist and photographer Nikolai Tolsty composes ingenious photography shots with the help of paper and nature. He carefully cuts out animals’ silhouettes into a sheet of white paper and places them on top of colorful, and stunning backdrops, which feature different leaves and flowers.
💙 Mt. Salkantay by Double-S-Photography on 500px
○ Canon EOS 70D-f/8-1/400s-17mm-iso100, 3599✱5398px-rating:93.3
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Enigmatic Animated Light Photographs by Lucea Spinelli
NYC-based photographer Lucea Spinelli’s latest series titled Phōtosgraphé explores the movement of light in photography and the perception of reality. Spinelli reminds us instantly of photography’s purpose and origin. It is defined as a process of drawing with light. Its etymology implies a compound of the greek words φωτός (phōtos) “light” and γραφή (graphé) which is defined as “drawing”. The fleeting movement of the illumination becomes the paintbrush on its canvas, the film. “Like a human eye, the camera receives impressions of light reflected off the world around us. “
Spinelli’s use of the long exposure technique involves distilling the course of movement over time into one single image. The quick movement is a metaphor for the ephemeral; the light forms are symbols of life, spirit and energy.They are ignited from abandoned places and perceived as quick apparitions, which haunt the spaces, where there was once vitality.
They also behave as a suspension of reality. They challenge the norms of life’s expectations, which is the ideal of permanence in a temporary world. The luminosity offers a transient beauty, which is simultaneously profound and stunning in the shape of a gleaming rainbow.
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